Frick Madison

The power of portraiture is particularly potent on the fourth floor of Frick Madison. Considering two seemingly unrelated likenesses on view—Reynolds’s General John Burgoyne and Chinard’s Étienne Vincent de Margnolas—Rebecca Leonard, Curatorial Assistant, examines the works’ uneasy balance between glory and tragedy, epitomizing portraiture’s poignant reflection of the human condition.

Giulio Dalvit, Assistant Curator of Sculpture, explores connections between Francisco de Goya’s painting The Forge and Pietro Tacca’s bronze statue Nessus and Deianira, made centuries apart and today found in adjacent galleries at Frick Madison. The statue is a remarkable achievement of the same type of labor depicted in Goya’s canvas, both employing metalwork as a powerful storytelling device.

Surprising connections are waiting to be discovered at Frick Madison. In the debut post of “Middle Ground,” explore unexpected links between Giovanni Bellini’s St. Francis in the Desert and Marcel Breuer’s iconic trapezoidal window, a transcendent juxtaposition on the third floor of the museum’s temporary home.

Celebrate the recent opening of Frick Madison by exploring works on view at our temporary new home through past staff-written articles from the Members’ Magazine. Learn about the frames in the collection, conservation discoveries about a rare bronze, Frick’s first Vermeer acquisition, and much more. Past issues of the magazine—published three times a year as a benefit for members—can be browsed online in their entirety.