Jean-Antoine Houdon

Photograph of marble sculpture of bust of woman with roses in her hair and ivy draped across her breast
Jean-Antoine Houdon: Eight Portrait Busts
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In line with other exhibitions devoted to lesser-known aspects of its holdings, The Frick Collection presented an exhibition organized around its marble portrait busts by Houdon: Comtesse du Cayla and Armand-Thomas Hue, Marquis de Miromesnil.

Exhibition catalogue cover with blue background and grey text.
Franklin and Condorcet: Two Portraits from the American Philosophical Society
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An exhibition of two remarkable portraits of famous men lent by the American Philosophical Society in Philadelphia: an oil on canvas representing Benjamin Franklin painted by Jean-Baptiste Greuze in 1777, and a marble bust of Nicolas de Condorcet executed by Jean-Antoine Houdon in 1785.

Marble bust of a woman glancing over right shoulder with long, curly hair pulled back and leaves adorning her garment
Enlightenment and Beauty: Sculptures by Houdon and Clodion
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Jean-Antoine Houdon (1741–1828) and Claude Michel, called Clodion (1738–1814), were two of the foremost sculptors in France during the late eighteenth century, and the Frick housed an important group of their works.

video still of Giulio Dalvit standing in front of sculpture of nude woman in gallery
Unboxing Diana

A single figure has witnessed all the phases of the Frick’s renovation over the last four years: Diana the Huntress, a life-size terracotta by Jean-Antoine Houdon. Due to the sculpture’s fragility, Diana remained in the museum’s Portico Gallery, safely crated throughout the project. To mark her recent unboxing, Giulio Dalvit, Associate Curator, explores the history and technical feats of Houdon’s daringly balanced statue.

video still of Giulio Dalvit and marble bust of woman
Cocktails with a Curator: Houdon’s “Comtesse du Cayla”

In this week’s episode of Cocktails with a Curator, Assistant Curator Giulio Dalvit examines the beguiling marble bust of The Comtesse du Cayla by Jean-Antoine Houdon. This beautifully intimate portrait showcases the artist’s virtuoso rendering of surfaces and volumes—it is almost impossible to imagine that the grapevine-girdled Comtesse began as a single block of marble. This week’s complementary cocktail, the Frosé, evokes summers in the south of France, where her family owned vast estates.