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Van Dyck’s portrait of Cardinal Bentivoglio has left Italy, traveling to the U.S. for the first time, where it is on view at the Frick in the Van Dyck: The Anatomy of Portraiture (March 2 through June 5, 2016). This great work is discussed by Xavier F. Salomon, who considers it among the most important loans to the exhibition (and his favorite work in the show).

From 1931 to 1935, Alfred Cook, a footman to the Frick family, documented the transformation of the Frick’s Gilded Age mansion into a public art gallery and research center in a series of evocative “progress photographs.”

Tommy Mishima, Museum Shop Inventory Coordinator, recalls seeing Rembrandt’s Self-Portrait in a children’s encyclopedia when he was eight years old. Ten years later, he came face-to-face with the painting for the first time.

Giulio Dalvit, Assistant Curator of Sculpture, explores connections between Francisco de Goya’s painting The Forge and Pietro Tacca’s bronze statue Nessus and Deianira, made centuries apart and today found in adjacent galleries at Frick Madison. The statue is a remarkable achievement of the same type of labor depicted in Goya’s canvas, both employing metalwork as a powerful storytelling device.

In celebration of our acclaimed special exhibition Barkley L. Hendricks: Portraits at the Frick, Joey Vincennie, Reference Lead, presents a recommended reading list from the collection of the Frick Art Reference Library exploring how artists have crafted portraits throughout history.